Carla Armour is a visual artist who lives and works in the British seaside city of Brighton & Hove. After graduating from Parsons School of Design (NYC) in the 80s she returned to her Caribbean Island, Dominica delivering her message through abstract symbolism in mixed media paintings, fashion, Conceptual and Installation art, poetry and spoken word performances. Carla is known for her Lifelines series; employing tribal symbols and prehistoric glyph images and markings, her current work ‘Resonance’, explores the use of ritual elements and sacred spaces and abstracted objects to imbed messages into her paintings and installations pieces.
She has participated in shows and exhibitions over the years in the Caribbean, US, Europe and Namibia, some of which included the International Art Project ‘Women of the World, a Global Collection of Art’, submissions and readings for Literary Festivals, an International Artist Exchange, ‘Carambolage’ with eight artists from Austria and Dominica, a solo exhibition at the National Art Gallery of Namibia and recently participated in the UK-based project ‘Wheel 'n' Come Again’, a dynamic Film & Arts program managed by Legacy Film UK for which exhibitions and events venues included Onca Gallery, Hastings Arts Forum and a two-day program at Fabrica, Brighton in December 2016. She will also show at the Caribbean Arts Festival in Barbados in early March 2017.
"Generally, my work is meditative. I want it to be emotive."
"I love the actual act of creation, playing with the material and the effects I can produce. Using acrylics, oils and mixed media, collage etc, I play with colour and their meanings, with automatic writing and drawing inspired by interactions and experiences as one source of inspiration for my work. When I am painting or writing it is purely about the medium… the message reveals itself. I enjoy manipulating the shapes, textures, words and the rhythm, finding the imagery and tempting the senses to see, taste or feel the patterns. I love the freeness of the initial abstract expression while at the same time reducing it down to lines and shapes and layered combinations that resonate with each other to draw the audience inward. I want others to also feel the intimacy of that liberation I feel from my first markings to my last."
There are two interwoven strands to Andy's art, research and teaching interests:
• Art education, visual art practise as research and making
• Transdisciplinarity, collaboration and a dialogic approach
His artistic practice includes sculpture, film, objects, drawing, print in an installation or in situ context. More recently he has collaborated with neuroscientists enquiring about the brain, depression, dyslexia and (dis)location.
Lab coats (2018)
The Black Dog (2018)
Hole in your soul (2018)
My brain (2015)
Elizabeth Bourne is a fine Art figurative painter based in Brighton. She graduated from City and Guilds of London Art School with a degree in Fine Art Painting. Lizzie is currently developing her studio practice and creating a series of paintings to further a career in the arts. Her paintings are mostly oil on canvass and drawing mediums include charcoal, pastel, pencil and acrylic. Her work primarily consists of haunting landscapes and unsettling still lives. Huge architectural bridges are a recurrent theme in her work, and her still lives explore the prehistoric images of dragonflies and ammonites. Often these worlds combine to find prehistoric creatures existing in our modern urban landscapes. Lizzie's work is sensitive to environmental issues and the need to protect our natural world. 'My work explores the desire to create a replenishing balance between man and nature; harnessing nature for good.' It is hoped that my paintings will invoke the viewer to consider the beauty and fragility of our natural world and the necessity to protect it.
My creativity is a phi-cycle output of my journey into the energy of the universal heart. The purpose of this journey has been to expand my consciousness beyond the his story time line we completed in 2012. We are now 7 years into the new evolutionary cycle of life on this planet where we as a star race are remembering we are one star family, living on one beautiful planet in a whole universe of love.
My phi-cycle creations include paintings, sculptures, words and sounds which represent frequencies of information direct from source which is love. As I receive energies from the universal heart I am guided to communicate them in different ways. At the moment my paintings are flowing energy and once this has been expressed on canvas I know new energies will come through to be expressed in different ways as I evolve my consciousness with information direct from the universal heart as I continue my evolutionary journey in the stars.
Part of my practice is collaborative paintings with others. The purpose of these is to expand consciousness beyond the fearful ego and its desire to be in control of the creative process. Also to expand beyond his story egoic belief systems about what ‘art’ is and the dualistic judgement that creates concepts of ‘good’ and ‘bad’.
This process of collaboration beyond his story mind programs is to free the heart and mind to fully immerse into a shared creative expression as an act of conscious evolution into the remembrance of one universal heart in which all life belongs.
As universal beings we are designed to be creative. Life is a creative process and we all need to be able to access our creativity to live in wholeness. We are creating our life moment by moment with our consciousness. My mission is to support others opening to the higher wisdom of their universal hearts and the truth of the power of unity and love so we can all come together on this planet as one star family living in the universal heart.
Tom produces both sculptural pieces and functional tableware from his studios in Hove and Scotland, near Glasgow.
He graduated from Brighton University in 2000 with a 2:1 BA Hons degree in 3D Craft. Teaching in Hackney, East London, it was a long term and slightly distant dream to be able to make a living as a full time potter. Making a huge lifestyle decision, and taking a fairly substantial risk, Tom Butcher Ceramics was set up in Arrochar, Loch Long in 2004.
Tom is now assisted by Jamie Rogers in the production of the Loch Long Stoneware functional range at the main headquarters in Scotland, and works on new prototypes and designs from his new design studio in Brighton where he now lives. He splits his time between the two workshops.
The range is currently used at Simon Rogan's Fera, Claridges (London), Martin Wishart's restaurants The Honours (Edinburgh), and Martin Wishart on Loch Lomond, Cameron House (Loch Lomond), Isaac McHale's The Clove Club (London), Tom Blake's The Swan and The White Hart (Wedmore, Somerset), Jamie Oliver's Barbecoa (London) and Chris Charalambous' Cail Bruich (Glasgow).It was also used to style Tom Kitchin's book 'Kitchin Suppers'.
“The Loch Long Stoneware range is largely inspired by books from my childhood, books that got brought out again when my own kids came along - Quentin Blake and the Mr Men series in particular. I started thinking about what a ‘cup’ should be and look like, then making it in as simple and pure a fashion as I could. Mr Small’s tea cup needed companions, so the large mugs appeared, then the butter dish.... and everything else. It’s all extruded. I like the fact that it’s not thrown or cast ware, that you aren’t ‘supposed’ to make extruded tableware. And I love designing and making. It is constantly evolving as a product range with new additions all the time, and there is nothing more satisfying than opening a kiln of pots which are still warm”.
“It feels like the recent economic climate has gone hand in hand with a resurgence of interest in craft - products made with abit of soul. People aren’t in the mood to buy a Mercedes, but they are very willing to invest a modest amount on some feel good, back to basics rustic stoneware. Something that they can use and enjoy forever - a lot of the Loch Long Stoneware range will outlive most of us.”
“The Loch Long Stoneware range seems to have an all encompassing market: men love the big chunky mugs, the quirky square range appeals to young people setting up home, and the stoneware wine cups and wine coolers are selling well as stylish wedding or anniversary gifts. There are also some classic kitchen essentials like the garlic pot or spoon rest, which I’ve dragged into the 21st century, that appeal to all ages and customer types.”
“Everyone said I’d never make a living of being a potter. Looks like I’m going to prove them all wrong....”
Helen’s practice investigates the experiential interplay between body, technology and environment.
Exploring themes around the physical, social and psychological experience of the body, her work moves between sound, sculpture, video, architecture, site and materials, often using playful interaction to gently tease out new ways of experiencing and engaging creative agency for audiences.
Interweaving technology, physical action and sensory experience she creates physical installations, sonic environments and live encounters, exploring the power of collective experience to bring people together.
'Undertow' - Multi Screen Live Video Installation; Canterbury City Council Commission
'Falling Into Time' - Site specific vocal polyphonic performances and spatial sound interventions; Fort Process Festival 2018
'Spaces Between' - A participative, live, walking artwork for the landscape
Duck Ceramics is an independent pottery studio run by me, Alice Duck. Originally founded in a small attic room in my Bristol flat, I now make and finish each piece by hand in my Brighton studio. The technique I use is called slip casting. Commercially this process is used, along with machines to reproduce identical copies of one product, churning out hundreads of 'perfect' duplicates. There is something satisfying about imitating the machine - but with the ability to make every product individual. It might be a drunk mug, or a wonky vase, or the lines may not be as straight as they 'should be' but this is why I fell in love with handmade ceramics. Simplicity and function are at the core of the work I make. I like to re-imagine classic shapes and divert them from their original purpose into a design piece. A camping mug has been transformed into an object of delicate craftsmanship, and its natural ‘mistakes’ have been left on show to celebrate the process, just as I believe they should be.
I am a multi media artist, working in the painting tradition as well as virtual reality, video, sound, drawing, sculpture, photography and installation. Dream, alter state, illusion and perception are recurring themes in my work in that I am intrigued by the fact they hold illusive and yet convincible qualities. Reflecting the emotional dimensions of memories, collected histories, and cultural myths, I am affected by those with untold, sometimes overwhelming, hidden perspectives. Painting as a medium is for me, currently the most engaging way to exercise that allowing of the mind to unleash so the idea can dictate the work freely.
After graduating from Fine Art Academy in Istanbul, I studied 1st year MA Visual Art at Falmouth University in 2007 and Brighton University in 2017. In 2012, I had my first solo show at Norwich Arts Centre that is followed by two more solos including Bridport Art Centre and Newlyn & Exchange galleries in 2014. Exhibiting internationally in group shows since 1999, I have been awarded 2nd place in photography competition by Nashville Arts Magazine in America and runner-up by both Centre On Migration, Policy, and Society by Oxford University in England and Ultra Short Movie Challenge in Scotland in 2014.
Louis T Fowler is an illustrator and collage artist based in Brighton & Hove, England.
His illustration work is predominantly hand drawn, be it with pencils or inks, but does also include painting and collage. His illustrations have appeared in books and magazines as well as on various products and textiles.
Commission requests, prints and original artwork are available directly through his site, louistf.com
His collage artwork is split into two categories: onecuts and multicuts.
Exploring humanity's reliance on chance and the serendipitous seconds that give rise to a revelation of character or a twist in a tale, Louis’ onecuts are urgent, single edits that turn existing visual narratives on their head. The line that divides an original picture yet gives rise to the birth of a new piece is the making of a onecut. Be it a straight line or a continuous outline cut, it is the perfect cut that opens the door to inside Louis' mind.
One chance, one take, a onecut is born.
As well as the onecuts (which is a singular technique currently being applied across three projects), his work includes other multicuts collage works, some which were private commissions and others that have illustrated magazine articles.
I use clay to make designs and artworks out of everyday objects, textures or scenery. My pieces are about the surface of things, of displaced objects, their shapes and textures, origins and stories. I like my work to be both familiar and surprising.
Some artists that inspire me are: Helen Maurer, Richard Slee and Christina Iglesias.
Working in clay is an absorbing process. It is a slow moving material that inspires patience and delicacy to bring it to its final state. The processes used are slip casting from plaster moulds and hand building with slabs with pressed textures. Glazes are applied by dipping or painting and some are layered onto other glazes to create unique results. The glazes can be subtle and seek to express the shapes and textures of the fired clay, or painterly and expressive in themselves.
Christopher McHugh trained as a painter at Bath Academy of Art and Manchester Metropolitan University (later completing MA studies at the University of Sussex).
He has pursued painting as his central practice ever since, while building a portfolio of other art activities including teaching, writing and artist-led projects.
He was a founding member of Manchester Artists' Studio Association (1982), Red Herring (1984 – artists' cooperative establishing studios and galleries in Brighton), Artonic (1990 – temporary public art projects), Video Virus (1992 – AIDS video art collective), and Fabrica (1995 – contemporary art gallery in central Brighton). He was an initial advisor and later a board member of eta (Empowering the Artist).
He is currently Senior Lecturer in Fine Art at the University of Chichester and Convenor of Art at the Centre for Community Engagement, University of Sussex.
I am a violin maker, working from Hove, East Sussex. After many years restoring fine violins and periodically making my own instruments, I am now developing high-quality instruments, loosely based on the Italian classics. With my knowledge of the construction of fine violins, from restoration and making, I am making original instruments that are my own concept but have the professional qualities needed for a soloist. My instruments are played by excellent players in classical and world music.
I am a full-time freelance illustrator based in Brighton on the south coast of England. I predominantly work in editorial and design but in various other markets as well, and regularly exhibit my work both here in Brighton and further afield.
Clients include: Time Magazine, Campaign Magazine, Times Higher Education, Pearlfisher Design, United Design, IPC Media, Liquid Records, Wonkay Records, MBR Magazine, Ransom Publishing, Legion Of Dub, Cookchick Design, Cycling Active, The London Magazine, Plan B Magazine, International Academy of Colour Therapeutics, DC Storm, Dubmission Records, Goodone, Matter, Brighton & Hove Food Partnership.